A riveting, incisive, and wide-ranging book about the Right to Die movement, and the doctors, patients, and activists at the heart of this increasingly urgent issue. More states and countries are passing right-to-die laws that allow the sick and suffering to end their lives at pre-planned moments, with the help of physicians. But even where these laws exist, they leave many peo...(展开全部)

A riveting, incisive, and wide-ranging book about the Right to Die movement, and the doctors, patients, and activists at the heart of this increasingly urgent issue. More states and countries are passing right-to-die laws that allow the sick and suffering to end their lives at pre-planned moments, with the help of physicians. But even where these laws exist, they leave many peo...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

'Unparalleled and extraordinary . . . A bracing revivification of a crucial lineage in feminist writing' Jia Tolentino 'I believe Amia Srinivasan's work will change the world' Katherine Rundell 'Rigorously researched, but written with such spark and verve. The best non-fiction book I have read this year' Pandora Sykes How should we talk about sex? It is a thing we have and also...(展开全部)

'Unparalleled and extraordinary . . . A bracing revivification of a crucial lineage in feminist writing' Jia Tolentino 'I believe Amia Srinivasan's work will change the world' Katherine Rundell 'Rigorously researched, but written with such spark and verve. The best non-fiction book I have read this year' Pandora Sykes How should we talk about sex? It is a thing we have and also...(展开全部)